killekill megahits ii is a jubilee release. but it’s not only that. it’s also milestone and turning point in the killekill history, because with this release killekill closes one chapter, and opens up another. we will start several new labels over the next months, so this is a hello and a goodbye release – looking back and forward at the same time. the full compilation got a lot of coverage and the tour was very successful, and so we will release the records as single releases as well. part 3 features the straightest tracks of the compilation. detroit-ish techno from alex cortex, stomping acid from blake baxter, the prince of techno and modern techno by ksp and cassegrain & tin man – 4 bomb tracks for the dancefloors.

tin man acid mix nasty boy house mix bastian wegner downtempo mix 300 copies edition

plangent records is back with the first various artists compilation (plancomp001) on the label and gathers long time friends, likeminded musicians and new talent on this 10 track release. this platform for deep, low-key, melancholic electronic music shall continue.

proper analog live sounding techno

as always limited 180gm pressed vinyl
people must jam s ninth record is from one of our favourite djs and producers. a guy who has a ridiculously large back catalogue and in our opinion it is a crime that some of his records haven t received bigger recognition. a true master of house and hip hop music, kid sublime has been putting out amazing records since 2001. his own label dopeness galore literally does exactly what it says on the tin. even before we launched people must jam s label we wanted kid sublime to be a part of it. now finally we are stoked to present this ep... four serious cuts for four different vibed floors - look out! first up kid s homage to techno legend ben sims with bang like sims a driving deep techno groove. strong percussion, deep stabs and that unrelenting beat are going to ensure this one gets some love on the harder edged, heavier dance floors. we the people heads a little down the tribal route with some afro inspired percussion, haunting samples and that kalimba! dropping a really infectious riff before beautiful piano melodies drift in and out of the mix. wonderful stuff. the title track i like em dirty , we feel, is a lesson in proper deep house. classic sounding house beats, little guitar licks, deep stabs and the vocal sample combine for this perfect house cut. massive. the ep is rounded out with another cut in tribute to the legend that was kenny hawkes. another master of his craft - kenny sadly now passed on but his spirit is well and truly alive in this fitting tribute. one 4 kenny features strong percussion, low bass, deep stabs and slamming beats = cracking stuff

bar musica is a brand new label that promises to inject plenty of charm and originality into the underground house and techno world. the first release kicked up quite a storm from label owner bartolomeo, and the second release features a trio of great originals by j paraguai, with a remix from long time electronic talent bruno pronsato. rumba is up first and is a full fat, corrugated house track with tribal percussion, punchy drums that swing down low and afro vocals. it is a dynamite groove with roughshod tin pot hits that are carefully treated and bring a lovably wild side to the track. thesoundsays founder and berlin based new yorker bruno pronsato has been on the fringes of the underground for more than a decade with inventive eps and lps on labels like hello? repeat and bosconi. his remix is stripped back to a forceful and rubbery techno groove. blistered synths rip up the middle and spooky voices, trippy effects and manic loops all make it a freaky late night or after-hours tune that will send floors wild. ble is then another j paraguai, and this one is again unhinged and urgent, with intense synths exploding above shuffling, tightly knotted minimal drums and sweeping pads. it’s pure wtf music for brave djs and dancers and is a truly original production. then last original atles is rugged and impactful in the way in combines house and techno into new ideas. it is stripped back to little chopped loops that bury deep in your brain and have you in a trance in no time. as such, it rounds out a fine ep and keeps this exciting new label going off in great style.

repress! without special edition print of the cover artwork! infrastructure regularly works with up-and-coming artists on cover artwork. respected young swiss artist julian charriere provided the iconic greyscale cover for post scriptum s debut lp (inf-020), and london based photographer guy archard s work featured on campbell irvine s reunion of two bodies maxi-ep (inf-018). now the celebrated british fine-artist robert ncnally has been invited to submit original artwork for facticity. selected by jake and dinos chapman to show work at the prestigious flowers gallery in london, and commissioned by damien hurst to provide work for his private collection, robert s incredibly detailed large scale pencil drawings are attracting serious interest in the modern art world. mcnally s cover image was selected from a series of works based on adapted antique post cards. its anti-establishment, censorship-related overtones are clear to see, as is the stark use of contrast - thick layers obscure the fading original, re-appropriating it.

infrastructure regularly works with up-and-coming artists on cover artwork. respected young swiss artist julian charriere provided the iconic greyscale cover for post scriptum s debut lp (inf-020), and london based photographer guy archard s work featured on campbell irvine s reunion of two bodies maxi-ep (inf-018). now the celebrated british fine-artist robert ncnally has been invited to submit original artwork for facticity. selected by jake and dinos chapman to show work at the prestigious flowers gallery in london, and commissioned by damien hurst to provide work for his private collection, robert s incredibly detailed large scale pencil drawings are attracting serious interest in the modern art world. mcnally s cover image was selected from a series of works based on adapted antique post cards. its anti-establishment, censorship-related overtones are clear to see, as is the stark use of contrast - thick layers obscure the fading original, re-appropriating it. setting the tone for this carefully compiled collection of new music, rich in subtexts and sub-genres, a special edition print of the cover artwork will be included in the first 500 copies of facticity.

killekill catalogue number 025 is a jubilee release: its killekill megahits ii. but its not only a jubilee release. its also milestone and turning point in the killekill history, because with this release killekill closes one chapter, and opens up another.

played by rolando, nathaniel jay, agnostic rhythm, natan h, deep a & biri...
for its premier release, division point industries is proud to announce a 4-track ep by rolling ones, a collaborative project featuring johannes auvinen (tin man) and jordan poling (jordan). rolling ones finds its voice in the synthesis of each artist s sound, combining tin man s acidic melodies with jordan s deep, textural pads. debuting at the division point industries residency at bushwick s notorious bossa nova civic club, rolling ones marked their arrival by playing a dj back-to-back set. opening the record is 93 mustang , a muscular, no-nonsense roller built around deep wells of warm bass and slick-piston percussion. as it builds, tin man s signature acidic squelch dances in the remaining space, giving the track a sense of both life and depth. next is faded delorian , an abyssal burner that refracts its ghostly tones around a panning labyrinth of crystalline synths. on the flip is slammed cadillac , a sinewy, stripped down stomper of clattering percussion and caustic 303s. jacked up impala finishes the record as a jacking acid tool. founded by jordan poling, division point industries is a new label built on the success of a collaborative residency with cory james at brooklyn s bossa nova civic club. having hosted artists ranging from the established to the underground, division point industries has crafted a no-nonsense take on deep house and techno that is rich in history while remaining focused on the future.

pocket money returns for their third release and they are back with what could easily be their strongest output yet. just hitting the ripe old age of one, and a couple of releases in, this label has found its stride nicely and starting to turn heads in the scene. taking the spotlight for the deep basics ep is the producer keepin soul, who may only have a handful of releases to his name but puts himself in the spotlight with this deep and meaningful pocket money release. this is a beautifully dusty sounding record, it opens up doing exactly what it says on the tin deep basics and doing them well. this a1 is all about hypnotic grooves undulating against the drive of crisp, warm and exciting percussive grooves.

vinyl only, after a busy year and two widely acclaimed releases with record label rutilance under his belt, the time is right for the southern based french producer ortella to launch his own eponymous imprint: mad in lyon. 69001 ep - introduced by the producer himself - is the first of a series of releases in the same mood, with some new jersey inspired deep house and straight forward uncompromised groove. it does exactly what it says on the tin: -from thugs to clubs-. watch out people, lyon has never been so hot!

special 4x12 inch pack for all you gobsmacked lovers out there - contains 4 classic releases:
- gob015: space djz - force majeure
- gob019: diarmaid o meara - just go (robert armani remix)
- gob022: luke creed - straw dogs
- gob023: dj ogi & diarmaid o meara - the speaker ep

just great release by analog man ! nick simoncino !

french composer and multi-instrumentalist pierre bastien delivers the latest entry into morphines increasingly diverse catalog. active for over four decades, bastien is best known for building automated orchestras, and his most recent lp, machinations, was released on aphex twin s rephlex label in 2012.
for this latest work, bastien recycled components of his silent motors live set and assembled new mechanical organisms—using amplified meccano parts, motors, fans, rattles, paper, and nails—to generate rhythmic scaffolding. live instrumentals, from prepared trumpets to the african kundi harp, javanese rabab, sanza, electric harpsichord, bass, drums, and gongs, were then superimposed on top.

first vinyl of the fresh new label pantruche, this label has been created to extend the musical ressources of the label d.ko records, heart of the parisian young generation of producers and djs. this various artist presents new comers as pieuvres, bad rey & mézigue with the participation of tin man on « villettion acid ». detroit inspiration, parisian determination.

straight analogue machine jack music for djs to play at the dance floor. tin man, born and raised in california, did a wonderful acid remix and complement this ep.

new berlin based label from amotik. the debut ep features 3 heavy techno cuts.. not much else to say, but hit play, and enjoy. supported by: pfirter, truncate, kwartz, eric cloutier, norman nodge, tommy four seven, cari lekebush, cleric and many more!

for more than a decade, the bunker new york has been a nexus point for the transnational techno community. a chance meeting at the bunker in 2011 brought together gunnar haslam and johannes auvinen (also known as tin man), who became fast friends and collaborators soon after, conceiving a joint project called romans. the bunker new york is proud to present romans ambulare aude, a collection of atmospheric acid techno tracks following the projects debut on auvinens own global a in 2014.

stay underground it pays returns! relatively unknown newcomer modula brings us a slab of ruff n ready analog cuts, with a real standout remix from fuckthegovernment! said remix of controllo by f.t.g is so good that it is the opener of the whole record. it’s a remix built for late night experiences, one for the warehouse, with it’s wailing, ravey vocal samples and subterranean rolling acid bassline. the a side is rounded off by modulas tape mix of controllo. doing what it says on the tin, the graininess and saturation that tape production brings is instantly noticeable. while the tape mix is not as sinister as f.t.gs remix, nor as spatially dense, its greater emphasis on synth work is bound to make it a favourite for many suit fans.the b side takes on more of techno form than the a side. kicking off with intrigo (tape edits), the pad sounds give it an ethereal atmosphere, contrasting the almost militant feel of the percussion and bassline. immerso (instrumental mix) is probably the highest energy pick of the bunch, lots of bleepy synth work and crispy power claps might make this track the djs pick of the record. all in all, a top record from modula! dont sleep on it!

part ii features contributions from cassegrain & tin man, inland, dvs1 and steve bicknell

in 2012 frost and einzelkind joined forces to release the pressure. no tricks, no gimmicks. just raw beats and basslines from the depths of frankfurt and offenbach. no bandwagon blues, no sounds-alike songs. pressure traxx does exactly what it says on the tin. more pressure, more traxx. now it is time to announce the 10th release featuring tracks of the label heads frost & einzelkind.

after the success of their first release charmin are back with another high quality wax. this offering showcases the talents of florist and close friend of the imprint tilman, all pressed up on heavyweight vinyl with a lovingly designed cover. the ep kicks off with “proof nothing” which is a statement of intent. deep, churning piano chords overlaid with delayed vocal samples all underpinned with a solid beat and deep bass. next up “raw” does exactly what it says on the tin. this is a stripped down thumper with crunchy claps and an infectious groove. “once again” has a looser, more percussive feel to it with machine gun snares rattling off overt the top of a killer chord line. bringing things to a close is “mood swings” which builds brooding atmospheres and eerie vocal snippets. all in all this ep carries on the good work of this exciting new label. charmin continues its journey to bring you uncompromising, underground house music of the highest order.

echno upstarts south london analogue material return with their second release. this time label head ansome takes the reigns over four tracks of blistering industrial techno. redlining kick drums and ferocious percussion are pick of the day here. also includes two fantastic remixes from clouds and joefarr. hand screened sleeves and limited to 250 copies!

public possessions eight offering is a 10 inch ep curated by our good friend samo dj from stockholm. co-running the fantastic born free label with daniel isling aka sling, releasing records on his own and in various different formations on labels such as l.i.e.s., born free, high feelings and more, he seemed to be exactly the right person to tackle the task of putting this record together.

first release for zennor, the collaboration of andy mac and peverelist.

the red laser records ep series continues to explore the realms of italo, acid house, new romantic and disco flavours. nick smith brings the early 90s house heat with in motion. this is a four four dancer that is built solid. minimal chunky house grooves for disco journeys. hot sporran is a producer that has been around a long time and may be better known as phoreski and richard gateaux. as hot sporran he gets to express deeper and darker realms. xplorer journeys to detroit techno with strong flavours of new romanticism making a unique and wonderful disco sound. leonxleon does what it say on the tin. if there is another track out there called acid disco i bet you 100 quid this smashes it up and stuffs it in a bin. this is an all out hands in the air, euphoric disco bomb. theme from ferranti is a fantastically moody slice of sensual italo in true starion style. finishing off another epic red laser ep series perfectly.

well, kat records reach the ripe ol age of 21 with an exactly what it says on the tin release being the giant cuts ep which pays testament to the versatility that s seen the kat label take on board varying styles & ge-nres since its conception back in 2007. this 4 tracker of gargantuan proportions from edit hot shot deadly sins sees both classic and underground cuts getting the royal edit treatment and then some this time, mainly focusing on disco, soul & funk.

2nd part for 20 years p o m e l o with tracks from tin man, elektro guzzi, digilog!

limitierte 12- -drop bear/ultramarine express- von uk-produzent pedestrian

well, it s time for the second release. toisvesi joins la beauté du négatif for a tribute to the finest bassline. djs, catch the late night club operator on a-side. afx/namlook/echospace s children will appreciate the lost-on-own-acid-daydream on the flip, reminiscent of the recent collaborative efforts of tin man & donato dozzy. handmade with hardware & passion in finland. strictly limited to 150 copies.

romans 1 - the crumbling skeleton of a lost civilization! romans is tin man and gunnar haslam. this is their first collaboration debut release on tinmans own label venture. tip!

following last years anthemic double-header, waves / shirts off, locked groove records is back with our eponymous helmsman tipping a conspicuous cap to his belgian heritage. rave alerts does exactly what it says on the tin, a thumping nod to the ghent glory days of yore, while dialogues favours the trance-fuelled introspection of the early hours. limited edition, vinyl only by the best belgian since hercule poirot.

dave dubbz from basel in switzerland re-joins the robsoul camp, following two volumes of ghetto funk tales released for phil weeks imprint. his music can also be found on legendary west coast label tango recordings. the four tracks on *lost in the past ep* do exactly what it says on the tin, with classic funk, jazz and disco samples expertly wrapped and filtered around punching 4/4 house beats.

ltd to 300 copies , vinyl only
their first >noiretson<-release >dewdropper< is a triple-treat of jazzed-up deep house. shine box dwells on classy fifty and sixty jazz aesthetics in gesture and attitude. the dewdrops they showcase bear the stripped-down touch of minor piano-chords and syncopated swing patterns all over the place.

in 2012 frost and einzelkind joined forces to release the pressure. no tricks, no gimmicks. just raw beats and basslines from the depths of frankfurt and offenbach. no bandwagon blues, no sounds-alike songs. pressure traxx does exactly what it says on the tin. more pressure, more traxx.

vorhang auf für das dritte album der ralfe band! auf son be wise verbindet das projekt um oly ralfe erneut seinen schraegen folkpop mit maroden untertoenen und verfuehrerischem laerm

in 2012 frost and einzelkind joined forces to release the pressure. no tricks, no gimmicks. just raw beats and basslines from the depths of frankfurt and offenbach. no bandwagon blues, no sounds-alike songs. pressure traxx does exactly what it says on the tin. more pressure, more traxx.

second out on jean claude gavris coco bin wax imprint sees him deliver two superb retouches of a certain classic record from the eighties.
the original artist has been rather popular over the years, a hero to many, known for floating in tin cans, sporting screwed up eyes and a screwed down haircut, a man who has fallen towards his home planet and questioned life on others.

third installment on bottins own tin imprint. after teasing & pleasing vinyl lovers and hardcore disco heads with the luscious two releases lust & dirty (which sold out in a blink) bottin confirms once again his alliance with synth maestro rodion. the moustached duo delivers an incredibly sharp dance floor weapon aptly named *one for all*. think kraftwerk and metro area on a trip to italy, going to a rockets concert all spattered in silver body-paint. cybernetic disco? humanized techno? decide for yourself. pointy-edged synth layers cutting through the dancing bodies like a knife through butter, thrusting bass, piercing arpeggios, sexy warm chords, even a splash of guitar work and -icing on the space cake- an out-this-world chorus with bottins own processed voice impersonating some charming italo extraterrestrial. - extremely small vinyl edition on starry midnight-blue heavyweight wax!

bob dylans first album of new music in over three years! pressing on heavyweight 180 gram vinyl, cd-copy of the full album included.

this is part 3 of 3!for most labels catalogue number 10 is an occasion to make something special. and so it is for killekill. we have collected tracks from our regular label artists plus some guests who frequently play at our parties and therefore we consider being part of the killekill family!

rugged/troubles is a double a that lives up to its name in every way. if we wrote cliched press releases we would say the release >does what it says on the tin< but getdarker dont deal in hackneyed, meaningless sayings, we deal in undiluted, speaker-banging platters. and they dont bang much harder than this pair of purist party-starters. troubles follows. in more ways than one.

on the heels of the success of tin mans – s_mpl_house ep shaddock is proud to welcome another true master for the labels fifth release: j.t.c.
originally produced for tim sweenys beats in space radio show the title track was heard in one of j.t.c.s dj sets during a night out in berlin and was signed to shaddock on the spot. heavy on the synths with a stirring bass-line and a driving 808, beats in space is destined to shake-up every dance-floor.

by 1982 new wave angry-man joe jackson had already broadened his attentions to a more diverse sound. >night and day< is a tribute to the tin pan alley style songwriting of cole porter and george gershwin, both early heroes of the english singer.
with more emphasis on keys & percussion than his earlier work, >night and day< became a hybrid of latin rhythms and jazzy horns & pianos, with stylish synths & splashy pop that perfectly reflects the new york of the early 80s. riding on the single >steppin out<, for which he was nominated for a grammy, the album crept to the number 4 position on the american and number 3 in the british charts, and eventually went gold. this is the first vinyl edition since 1985!
pressing on 180 grams audiophile vinyl, comes in gatefold sleeve.

already a classic! wonderfull. ric mcclelland & sean grieves seven music imprint are proud to welcome kastil to their ever growing family, for its 16th release. hailing from vitoria in northern spain, kastil is a new and exciting name in the burgeoning deep house and disco scene. his love of vintage sounds and equipment is ever present in his music. from beatdown jazzy funk to straight up house grooves, his productions ooze class and versatility! the >keep it simple< ep does exactly what it says on the tin. a quality 4 tracker that relies more on precision sound design and less on modern studio trickery. this is a release that will easily stand the test of time and sound just as good on a home listening system as it will on a big club rig!

its been a while since we have seen a release from dfrnt for on the edge, but im proud to announce, the wait is finally over! this ep provides us with an abundance of different flavours, but still retains the genius sound that is dfrnt at the very core of every tune. let me first draw to your attention to >the big freeze<. its a drum and bass track that has been moulded like a true pro. it sounds like dfrnt has been producing d+b for a long time with the finishes on this track, but believe its one of his earlier efforts. its a refreshing bpm for his take on electronic music and hope to hear more of the same from dfrnt soon. then dfrnt shows us what he is all about when he goes all out 4x4. a dirty, gritty techno roller (with a skip) that will blow your socks off! love the production on this one. then we have >monday morning<. this does exactly what it says on the tin, just the type of tune you need to bring you down after a heavy weekend. as though that wasnt enough, there is a 170 remix from man of the moment, indigo! support comes from: hatti vatti, synkro, versa, mary ann hobbs, kissy sell out, fused forces, loxy, dj rum, 501 and truth to name a few.

profound audio is back at it with a smashing new 12inch from monstar - and its one of many to come from this quickly rising talent. following up his devastating debut single, put ya hands up, monstar constructs two bangers of epic proportions. both harder & bastard have been inflicting massive damage in the dance and are currently receiving heavy club & radio support from some of the top taste-makers in the game. leading off the single, monstar delivers an anthem of a track that does exactly what it says on the tin. harder encompasses xxx female vocals, heavy-hitting drums and roller coaster-style, fluctuating basslines with enough sub to have your brain shaking inside your skull - what more could you ask for? a peak-time, dancefloor destroyer thats guaranteed to send the crowd into a frenzy! on the flip, he shows no mercy once again with bastard, a full-force, tearout dubstep number that will undoubtedly shred your bassbins into pieces. battering drums roll over ferocious, wobbling bassline combinations that fire at you in hyper-speed, leaving you no choice but to brock wild! this one is absolutely rough!

new single of the parisian trio on the franco-german label. the first track called dcl is a floating piece combining beautifull organ chords and breaking funky beats, setting on one hand a kind of religious scene and on the other hand giving the feeling to be a stream train at full speed! this is the track choosed by moritz piske, who did a jackin freaky remix out of it. got back is the other original track from the antislash. groovy baseline which reminds the remix they did for ribadisco on the salon records 02. avas verden put her voice with lyrics from her rockband lipstick, following the freaky acid lines. after their killer remix for tin man last year, we qre very happy to release this new project from antislash.